Found 2 results for DP2s

1 Notes

Yesterday, I sat around a photography studio for about three hours, while my daughter had portfolio pics taken. This painting of Jesus Christ’s crucifixion intrigued me, in part because of the surroundings. I actually don’t like Christ crucifixion images, because of the sheer brutality of this form of execution. So posting this one is quite unusual.
The painting created an odd ambiance, in part because of its style, chipped frame and location. At one point, the photographer had an older gentleman pose with the painting diagonally behind him.
I snapped the image with the Sigma DP2s, which I received on April 16, 2010. I’ll have more to say about the digicam in a future post.
Do you have a story about the arts that you’d like told? Please email Joe Wilcox: oddlytogether at gmail dot com.

Yesterday, I sat around a photography studio for about three hours, while my daughter had portfolio pics taken. This painting of Jesus Christ’s crucifixion intrigued me, in part because of the surroundings. I actually don’t like Christ crucifixion images, because of the sheer brutality of this form of execution. So posting this one is quite unusual.

The painting created an odd ambiance, in part because of its style, chipped frame and location. At one point, the photographer had an older gentleman pose with the painting diagonally behind him.

I snapped the image with the Sigma DP2s, which I received on April 16, 2010. I’ll have more to say about the digicam in a future post.

Do you have a story about the arts that you’d like told? Please email Joe Wilcox: oddlytogether at gmail dot com.

Notes

The Story Carl Rytterfalk’s Camera Tells

Carl RytterfalkBefore there was Twitter or before Facebook gained popularity, I followed people online directly through their Websites or RSS feeds. I’ve long favored personal blogs over professional news sites. The best stories are told by and are about people.

Fast forward five years, people are what make the social Web work so well, and why my profession, journalism, is in state of chaos. Why read something filtered by a reporter/editor when the single, or even crowd, source is available? Interaction is more personal and direct.

Among my favorite follows is Carl Rytterfalk, who tells great stories using a camera. I tell stories with words. Others do better with photos or movies. Carl might not define himself as storyteller, but he is one through the people photographed.

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